Digital Camera Gear

· Blue Graduated filters enhance the sky while they underline the colors of mountain landscapes. · They are also the filters for sea photography where they intensify the white sparkle of breaking waves. They are available in five variations. A122 - B1 

· Blue Graduated filters enhance the sky while they underline the colors of mountain landscapes. · They are also the filters for sea photography where they intensify the white sparkle of breaking waves. They are available in five variations. A122 - B1 

· Blue Graduated filters enhance the sky while they underline the colors of mountain landscapes. · They are also the filters for sea photography where they intensify the white sparkle of breaking waves. They are available in five variations. 122 - B1  

· Grey Neutral Density filters compensate for bright light. · By under-exposing the sky, they give a better relief to the surfaces and colors of landscapes and architecure. · They are indispensable in summer, for seaside and mountain photos. · They  

· Grey Neutral Density filters compensate for bright light. · By under-exposing the sky, they give a better relief to the surfaces and colors of landscapes and architecure. · They are indispensable in summer, for seaside and mountain photos. · They  

· Grey Neutral Density filters compensate for bright light. · By under-exposing the sky, they give a better relief to the surfaces and colors of landscapes and architecure. · They are indispensable in summer, for seaside and mountain photos. · They  

· Grey Neutral Density filters compensate for bright light. · By under-exposing the sky, they give a better relief to the surfaces and colors of landscapes and architecure. · They are indispensable in summer, for seaside and mountain photos. · They  

· Grey Neutral Density filters compensate for bright light. · By under-exposing the sky, they give a better relief to the surfaces and colors of landscapes and architecure. · They are indispensable in summer, for seaside and mountain photos. · They  

· Blue Graduated filters enhance the sky while they underline the colors of mountain landscapes. · They are also the filters for sea photography where they intensify the white sparkle of breaking waves. They are available in five variations. A122 - B1 

· Graduated Tobacco Filters are adapted to storm effects. · They give a greater vitality to subjects in fashion photography & reportage. · Graduated tobacco filters are available in five varieties. A124 - T1 graduated tobacco filter reduces the ligh 

· Graduated Tobacco Filters are adapted to storm effects. · They give a greater vitality to subjects in fashion photography & reportage. · Graduated tobacco filters are available in five varieties. A124 - T1 graduated tobacco filter reduces the ligh 

· Mauve (A126 & A127) and Pink (A128 & A129) are sunrise tones. · They warm the color of the sky and clouds with the violet shades of early morning. A126 Mauve M1 requires one stop of compensation. A127 Mauve M2 is twice the color density of M1 and  

· Mauve (A126 & A127) and Pink (A128 & A129) are sunrise tones. · They warm the color of the sky and clouds with the violet shades of early morning. A126 Mauve M1 requires one stop of compensation. A127 Mauve M2 is twice the color density of M1 and  

· Mauve (A126 & A127) and Pink (A128 & A129) are sunrise tones. · They warm the color of the sky and clouds with the violet shades of early morning. A126 Mauve M1 requires one stop of compensation. A127 Mauve M2 is twice the color density of M1 and  

· Mauve (A126 & A127) and Pink (A128 & A129) are sunrise tones. · They warm the color of the sky and clouds with the violet shades of early morning. A126 Mauve M1 requires one stop of compensation. A127 Mauve M2 is twice the color density of M1 and  

· Emerald Green (A130 & A131) & Yellow (A132 & A133) graduated filters are designed to heavily contrast clouds or to bring the color of the sky into harmony with the dominant color of your subject. A130 Emerald E1 requires one stop of compensation. A1 

· Emerald Green (A130 & A131) & Yellow (A132 & A133) graduated filters are designed to heavily contrast clouds or to bring the color of the sky into harmony with the dominant color of your subject. A130 Emerald E1 requires one stop of compensation. A1 

· Emerald Green (A130 & A131) & Yellow (A132 & A133) graduated filters are designed to heavily contrast clouds or to bring the color of the sky into harmony with the dominant color of your subject. A130 Emerald E1 requires one stop of compensation. A1 

· Emerald Green (A130 & A131) & Yellow (A132 & A133) graduated filters are designed to heavily contrast clouds or to bring the color of the sky into harmony with the dominant color of your subject. A130 Emerald E1 requires one stop of compensation. A1 

· The unnatural lighting of fluorescent never made anyone look good. · It shows up in your photos as greenish tones. · Cokin's FLW & FLD filters neutralizse these unpleasent tones. · Keep these filters on hand for work in public places (stations, re 

· The unnatural lighting of fluorescent never made anyone look good. · It shows up in your photos as greenish tones. · Cokin's FLW & FLD filters neutralize these unpleasent tones. · Keep these filters on hand for work in public places (stations, res 

 

· Cokin's Fog 1 (A150) & Fog 2 (A151) filters add a touch of dream and mystery to your photos. · Fog 1 (A150) is a mild effect. · Fog 2 (A151) is a stronger fog effect. 

· Cokin Sunset 1 (A197) & Sunset 2 (A198) filters recreate sunset at any hour of the day. · These graduated filters are tinted over the entire surface, more densely in the upper portion to embellish the sky. · They graduate to a lighter tint in the lo 

· Cokin pastel diffuser filters diffuse bright colors and softens their contrast by bathing them in translucent light. · These filters enhance the expression of tender, subtle sentiments, gently interpreting your portraits. · They are available in two 

· Colored Diffuser Filters control bright lights and surround your subject with a soft and gentle atmosphere. · Used exactly as Cokin's colorless diffusers (A820/830/840/850). They embrace your portrait with either a cooling (blue) or warming (orange) d 

· Colored Diffuser Filters control bright lights and surround your subject with a soft and gentle atmosphere. · Used exactly as Cokin's colorless diffusers (A820/830/840/850). They embrace your portrait with either a cooling (blue) or warming (orange) d 

· Cokin's Dreams Filters are small circular lenses which create a second image around an unaltered central image. · This second image appears more or less as a distinct halo, depending on the focal length, the aperture and the background. · Dreams fil 

· Cokin's Net series of filters create specific portrait effects. · White Net 1 (A142) strongly softens contrast while maintaining sharp focus. · White Net 2 (A144) is a milder version of White Net 1. Contrast is moderately softened and focus remains  

DIFFUSER FILTERS These filters use an exclusive COKIN process created by its founder and kept carefully secret ever since in the company laboratories. It's the way they diffuse the light from the luminous points of the image that gives shots that charac 

DIFFUSER FILTERS These filters use an exclusive COKIN process created by its founder and kept carefully secret ever since in the company laboratories. It's the way they diffuse the light from the luminous points of the image that gives shots that charac 

DIFFUSER FILTERS These filters use an exclusive COKIN process created by its founder and kept carefully secret ever since in the company laboratories. It's the way they diffuse the light from the luminous points of the image that gives shots that charac 

DIFFUSER FILTERS These filters use an exclusive COKIN process created by its founder and kept carefully secret ever since in the company laboratories. It's the way they diffuse the light from the luminous points of the image that gives shots that charac